Product Code Database
Theatrical smoke and fog, also known as special effect smoke, fog or haze, is a category of atmospheric effects used in the entertainment industry. The use of fogs can be found throughout motion picture and television productions, live theatre, concerts, at nightclubs and raves, amusement and theme parks and even in video arcades and similar venues. These atmospheric effects are used for creating special effects, to make lighting and lighting effects visible, and to create a specific sense of mood or atmosphere. Recently smaller, cheaper have become available to the general public, and fog effects are becoming more common in residential applications, from small house parties to Halloween and Christmas.
Theatrical fog and theatrical fog machines are also becoming more prevalent in industrial applications outside of the entertainment industry, due to their ease of use, inherent portability and ruggedness. Common popular applications for theatrical fog include environmental testing (such as HVAC inspections) as well as emergency personnel and disaster response training exercises.
Militaries have historically used smoke and fog to mask troop movements in training and combat, the techniques of which are technologically similar to those used in theatre and film.
Health harms can be caused by short- and long-term exposure to artificial fogs. Some types of fog are less healthy than others. Handling the generating equipment also has health risks.
Smoke is differentiated from other atmospheric effects in that it is composed of solid particles released during combustion, rather than the liquid droplets that fog or haze are composed of.
An obsolete method for creating theatrical fog on-stage (although the technique is still used in motion pictures) is to use a device known as a thermal fogger, initially designed for distributing pesticide, which aspirates a petroleum product (typically kerosene or propane), ignites the fuel to create a flame, and then heats a mixture of air and pesticide to create a dense fog. This technique is similar to the smoke generators used by military forces to create smoke screens, and is generally only used outdoors due to the volume of fog produced and the petroleum fuel required. For theatrical purposes the pesticide is typically replaced with glycol, glycol/water mixtures, or water.
"Low-lying" fog effects can be created by combining a fog machine with another device designed specifically for this purpose. As the fog exits the fog machine it is chilled, either by passing through a device containing a fan and ice, or by passing through a device containing a fan and gas compressor similar to an air conditioner. The result is a relatively thick fog that stays within a few feet of the ground. As the fog warms, or is agitated, it rises and dissipates. Several manufacturers of theatrical fog fluid have developed specially formulated mixtures specifically designed to be used with , intended to provide thicker, more consistent fog effects. Although these chilling devices do not use carbon dioxide, the specially formulated fog fluid does create denser fog than regular fog fluid.
Smaller volumes of haze can also be generated from aerosol canisters containing mineral oil under pressure. Although the density of haze generated and the volume of space that can be filled is significantly smaller than that of a haze machine, aerosol canisters have the advantages of portability, no requirements for electricity and finer control over the volume of haze generated.
A large billowing fog plumes are created from the condensation of liquid that dry ice is submerged into. As dry ice is submerged into a bulk of liquid, the pure CO2 gas bubbles are formed, then the bulk liquid molecules start to evaporate at the surface of the bubbles into the gas bubbles. The evaporated liquid molecules are later condensed within the bubbles creating a fog which lead to more evaporation of liquid molecules into gas bubbles based on LeChatelier ’s principle. The fog is released through an electric solenoid valve to control timing and duration. When the solenoid valve is closed, the fog rapidly disperses in the air, ending the effect nearly instantaneously. This effect can be used for a variety of applications, including simulating geysers of steam, in place of pyrotechnics, or to create an instant opaque wall for a reveal or disappearance during magic acts.
Dry ice (solid carbon dioxide) effects are produced by heating water to or near boiling in a suitable container (for example: a 55-gallon drum with water heater coils in it), and then dropping in one or more pieces of dry ice. Because carbon dioxide cannot exist as a liquid at atmospheric pressure, the dry ice sublimates and instantly produces a gas, Phase Diagrams condensing water vapour and creating a thick white fog. A fan placed at the top of the container directs the fog where it is needed, creating a rolling fog that lies low to the ground. As the submerged dry ice cools the water, the amount and duration of fog produced will be reduced, requiring "rest" periods to reheat the water.
Dry ice can also be used in conjunction with a fog machine to create a low-lying fog effect. Dry ice is placed inside an insulated container with an at each end. Fog from a fog machine is pumped in one side of the container, and allowed to flow out the other end. Although this technique does allow an individual to create low-lying fog "on the cheap" (when compared to the cost of renting cylinders of liquid CO2 or watertight containers with integral heaters), the volume of low-lying fog produced is typically less, and is more susceptible to atmospheric disturbances.
On 23 March 1934, Adelaide Hall opened at Harlem's Cotton Club in The Cotton Club Parade 24th Edition. Steven Suskin, "Cotton Club Parade, 1934", in Show Tunes: The Songs, Shows, and Careers of Broadway's Major Composers, Oxford University Press, 2010, p. 147 (retrieved 14 September 2014). In the show Hall introduced the song "Ill Wind", "Ill Wind" at JazzStandards.com which Harold Arlen and Ted Koehler wrote especially for her. "HARLEM NIGHT CLUBS BRILLIANT AND LIVELY – ADELAIDE HALL, GLADYS BENTLEY FEATURED STARS", The Pittsburgh Courier, 18 August 1934. It was during Hall's rendition of "Ill Wind" that nitrogen smoke was used to cover the floor of the stage. It was the first time such an effect had ever been used on a stage and caused a sensation.Adelaide Hall obituary in the Independent newspaper in which it mentions the use of nitrogen smoke used during Hall's appearance at the Cotton Club: (article retrieved 26 December 2014): http://www.independent.co.uk/news/people/obituary-adelaide-hall-1502902.html
Smoke machines are commonly used in the testing of larger HVAC systems to identify leaks in ducting, as well as to visualize air flow.
Dry ice (−78.5 °C) presents a significant risk of frostbite if mishandled. Proper protective clothing, such as long sleeves and , should always be worn when handling these products. Liquid carbon dioxide, (5 atmospheres; −56.6 °C), stored in compressed cylinders, also presents all the hazards attendant to materials under pressure and should be handled accordingly.
The first study that was done by Consultech Engineering, Co. under contract to Actor's Equity. The findings of the Consultech study were confirmed by two additional studies—a Health Hazard Evaluation completed in 1994 by the National Institute for Occupational Safety and Health,Burr GA, Van Gilder TJ, Trout DB, Wilcox TG, Driscoll R. NIOSH Health Hazard Evaluation HETA 90-0355-2499. Actor's Equity Association. and another one in 2000 by the Department of Community and Preventative Medicine at the Mount Sinai School of Medicine and ENVIRON;Moline JM, Golden AL, Highland JH, Wilmarth KR, Kao AS. Health Effects Evaluation of Theatrical Smoke, Haze and Pyrotechnics. Prepared for Actor's Equity Pension and Health Trust Funds. June 6, 2000. both prepared for Actors Equity and the League of American Theatres and Producers, focused on the effects on actors and performers in Broadway theatre musicals. The conclusion of all three studies was that there was irritation of mucous membranes such as the eyes and the respiratory tract associated with extended peak exposure to theatrical fog. Exposure guidelines were outlined in the 2000 study that, it was determined, should prevent actors from suffering adverse impact to their health or vocal abilities.
Another studyWieslander G, Norback D, Lindgren T. Experimental exposure to propylene glycol mist in aviation emergency training: acute ocular and respiratory effects. Occup Environ Med. 2001 Oct. 58(10):649–55. focused on the use of theatrical fog in the commercial aviation industry for emergency training of staff in simulated fire conditions. This study that found eye and respiratory tract irritation can occur.
In May 2005, a study published in the American Journal of Industrial Medicine,Varughese S, Teschke K, Brauer M, Chow Y, van Netten C, Kennedy SM. Effects of theatrical smokes and fogs on respiratory health in the entertainment industry. Am J Ind Med. 2005 May 47(5):411–8. conducted by the School of Environment and Health at the University of British Columbia, looked at adverse respiratory effects in crew members on a wide variety of entertainment venues ranging from live theatres, concerts, television and film productions to a video arcade. This study determined that cumulative exposure to mineral oil and glycol-based fogs was associated with acute and chronic adverse effects on respiratory health. This study found that short-term exposure to glycol fog was associated with coughing, dry throat, headaches, dizziness, drowsiness, and tiredness. This study also found long-term exposure to smoke and fog was associated with both short-term and long-term respiratory problems such as chest tightness and wheezing. Personnel working closest to the fog machines had reduced lung function results.
The Entertainment Services and Technology Association has compiled a standard for theatrical fogs or artificial mists compositions for use in entertainment venues that "are not likely to be harmful to otherwise healthy performers, technicians, or audience members of normal working age, which is 18 to 64 years of age, inclusive."ANSI E1.5 – 2003, Entertainment Technology – Theatrical Fog Made With Aqueous Solutions Of Di- And Trihydric Alcohols F&S/1997-3017r7.5 This standard was based (though not exclusively), upon the findings of a CIH literature studies commissioned by ESTA and applies only those fog fluid compositions that consist of a mixture of water and glycol and glycerin (so called "water based" fog fluid).
Short term exposure to glycol fog can be associated with headaches, dizziness, drowsiness and tiredness. Long term exposure to smoke and fog can be related to upper airway and voice symptoms. Extended (multi-year) exposure to smoke and fog has been associated with both short-term and long-term respiratory health problems. Efforts should be made to reduce exposure to theatrical smoke to as low a level as possible. The use of digital effects in post production on film and television sets can be considered a safer practice than using theatrical smoke and fog during filming,Teschke K, Chow Y, van Netten C, Varughese S, Kennedy SM, Brauer M. Exposures to atmospheric effects in the entertainment industry. J Occup Environ Hyg. 2005 May 2(5):277–84. although this is not always practical.
|
|
